Freely utilizing a non-linear structure, with mixed results, Ronny Trocker’s sophomore feature, “Human Factors,” is a compelling puzzle-box, showcasing a botched home robbery from five different points-of-view, that never fully synthesizes its twisty structure with a realized narrative. Filmed with an ironic detachment that recalls the work of Michael Haneke, “Human Factors” labyrinthian time-jumps, which freely move backward and forward at a moment’s notice to disorienting results, are more interesting to unpack after the credit roll than they are to keep track of at the moment.
